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"You seem to take my success in this case as a certainty," he says, with a frown. "I may fail." "The moon is up; it is the dawn of night; "I do not wish to lay claim to anything," says Mona, throwing up her head with a little proud gesture,—"least of all to what does not by right belong to me. To be Mrs. Geoffrey is all I ask.".

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But almost on the threshold they come to a full stop to gaze irresolutely at one another, and then over their shoulders at Mona. She, marking their surprise, comes hastily to the front, and so makes herself acquainted with the cause of their delay. To her it is an awful moment. Never before has she stood face to face with dissolution, to wait for the snapping of the chain,—the breaking of the bowl. "Neither the sun nor death," says La Rochefoucauld, "can be looked at steadily;" and now "Death's thousand doors stand open" to receive this man that but an hour agone was full of life as she is now. His pulses throbbed, his blood coursed lightly through his veins, the grave seemed a far-off destination; yet here he lies, smitten to the earth, beaten down and trodden under, with nothing further to anticipate but the last change of all. "You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not. Plumston is a village near. The first remark may sound Too free and easy, but his manner is decorous in the extreme. In spite of the fact that her pretty head is covered with a silk handkerchief in lieu of a hat, he acknowledges her "within the line," and knows instinctively that her clothes, though simplicity itself, are perfect both in tint and in texture..